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Towards the end of the novel, Castorp has denied the material understanding of death, love and disease that constitutes the world of reality and has thus attained an inward transcendence, which, as Ying-shih YГј argues, characterizes the Chinese intellectual world. The experience with the new possibilities of life at the sanatorium has given Hans Castorp, the hero of The Magic Mountain, the access to the ideal world. A comparative study of various novels that share the вЂtwo worldsвЂ™ motif demonstrates to us that the existence of the two worlds plays an essential role in the Bildungsroman. Thomas MannвЂ™s Novel, The Magic Mountain, is characterized by the opposition of two distinct worlds. Paul ValeryвЂ™s poems and essays, to which BorgesвЂ™ story variously alludes, underpin this reading of Echo as the patron saint of a theory of resonance that accounts for the necessary openness of literary texts to deviant interpretations, in particular those that could not have been foreseen or desired by their authors. Rather, EchoвЂ™s early modern acceptation, that of a dialogue partner that not only answers, but answers back and says different things with the same words, encapsulates MenardвЂ™s project as such and, beyond that, a theory of literary resonance. I argue that the invocation of Echo does not point to a duplication of the text. An invocation of the river nymphs and the nymph Echo (вЂћlas ninfas de los rГos, la hГєmida y dolorosa EcoвЂњ), it is singled out by the narrator as bearing the voice of Pierre Menard despite having never been attempted by him in his project of writing Don Quijote again. The article takes as its starting point a reading of Jorge Luis BorgesвЂ™ short story Pierre Menard, autor del Quijote, focusing on the first passage from CervantesвЂ™ Quijote that is quoted verbatim in the text.

Web of Science - Current Contents/Arts & Humanities.

Web of Science - Arts & Humanities Citation Index.

Ulrich's Periodicals Directory/ulrichsweb.

#DOWNLOAD BORN TO BE WILD 1995 WORLD SERIES#

Norwegian Register for Scientific Journals, Series and Publishers.

KESLI-NDSL (Korean National Discovery for Science Leaders).

IBZ (International Bibliography of Periodical Literature in the Humanities and Social Sciences).

IBR (International Bibliography of Reviews of Scholarly Literature in the Humanities and Social Sciences).

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ERIH PLUS (European Reference Index for the Humanities and Social Sciences).

CNKI Scholar (China National Knowledge Infrastructure).

BDSL Bibliographie der deutschen Sprach- und Literaturwissenschaft.

Stylistically and grammatically incorrect articles will not be considered.ДЄrcadia is covered by the following services: The arcadia Style Sheet is available on the website under Submission of Manuscripts.ДЄuthors whose articles are not in their native language are strongly advised to have their manuscript checked by a native speaker. Submissions prepared in Word format and MLA Referencing Style should be sent to the editorial office of arcadia, Ivana Perica. Submitted papers should not be submitted elsewhere, should not constitute chapters of finished or nearly finished dissertations, and should not have been published in another major language. After an initial editorial screening, submissions undergo a blind review process by an international advisory board and other experts in the field. Next to the proposals for thematic clusters and special issues, the journal also invites independent articles by both eminent and emerging scholars. It fosters innovation, recontextualization and reconceptualization derived from a confrontation between different, and often asymmetric, national, cultural, gendered, economic, geopolitical, intellectual, disciplinary and institutional settings.

It publishes contributions in German, English, and French from all over the world and keeps its pages open to a broad variety of theories and methods. Arcadia is a biannual peer-reviewed international, intercultural and interdisciplinary journal that welcomes reflexive and informed comparative and critical approaches to literary works, films, theatre plays, to social, political, cultural, visual and media phenomena, to translations, literary and cultural migrations and transfers as well as to theoretical, methodological and philosophical questions.

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